Putting Fiction into Context: An Archaeological Approach to Worldbuilding by Terence MacManus (@tcmacmanus)

Putting Fiction into Context: An Archaeological Approach to Worldbuilding by Terence MacManus (@tcmacmanus)

During my first job interview as a graduate archaeologist, I was presented with an assortment of broken rocks and asked how I would separate the natural stones from the knapped cultural artefacts. Eager to impress my prospective employers I dove into the bag, examining each object carefully and placing them in either pile, describing to the interviewer which clues I found to discern their natures.

‘That’s all correct,’ the interviewer said afterwards, sweeping the rocks she’d taken from the car park into the bin. ‘Though it would probably have been easier if you’d just asked me the context they were found in.’

Conventional Wisdom by John C. Bruening (@jcbruening)

Conventional Wisdom by John C. Bruening (@jcbruening)

The phrase “stranger in a strange land” is something I thought about a lot this past February.

The phrase actually goes back about three-thousand years. I’m not kidding. It’s from a short passage in the Book of Exodus. It’s a reference to a son born to Moses and his wife (they named the baby Gershom, which means “stranger”). A few millennia later, science fiction writer Robert Heinlein borrowed the phrase for the title of his 1961 novel about a human who comes to earth after spending the first 25 years of his life on Mars. Stranger in a Strange Land was the first science fiction novel to make The New York Times best seller list for fiction, and it’s probably Heinlein’s best known book.

The “Rules” of Writing by Lenee H. (@leneeh4)

The “Rules” of Writing by Lenee H. (@leneeh4)

Developing your own style of writing, your narrative voice, is personal and important. It’s individual to each writer. Long before I ever came in contact with the online community of writers and authors, I had been writing on my own. I instinctively knew basic grammar and English rules from school, but beyond that I wrote however felt right to me. I told stories and created a narration exactly how I wanted and how best fit the character. My mind wasn’t filled with tips and rules invented by other writers who believed their way was the only way.

In Support of All Families by Ashley Jones (@AshleyA_Jones)

In Support of All Families by Ashley Jones (@AshleyA_Jones)

As a dance teacher, I have seen children come through my classes with all kinds of families. Just last year, I had one student in particular whose dad brought her to class every single week. Despite not knowing anything about tutus or ballet shoes, he helped foster a love of dance in his daughter by bringing her to class week after week. 

The Catharsis of Writing by Tim Hendrickson (@TRHendrickson)

The Catharsis of Writing by Tim Hendrickson (@TRHendrickson)

Stay with me while I string this together.

The most prominent memory I have of tapping into emotion with the intent of using it for my own purposes occurred in college. I had always played sports, and still remain as active and competitive as a husband and father of two allows me to be. Back when I was pursuing my degree, I played for the school’s rugby team. Teams loved to schedule matches against us because one, we weren’t very good and two, we threw the sickest parties afterwards.

The Unmistakable Aroma of Old Books by Zoe Tasia @ZoeTasia

I haven’t been to a library in about five years. Since I got a Kindle, I do most of my reading on it. However, I decided I needed to give my reading tummy a more diverse diet and would do so by perusing the selection at the nearby library.

Due to the lengthy absence, I knew I would no longer be in the system. As I waited in line to renew my card, I recalled my hometown library. I grew up in a small town in Oklahoma. Despite the size of the population, the original library was impressive. To reach the doors, one had to climb not one, but two sets of stairs with a landing between the two. In those days, access for the handicapped was not a priority. The lowest set of stairs had no railings at all. The second had stone bordering the sides too tall for a young child to utilize.

The library was constructed of cream stone and an almost peach-colored brick. Four columns graced the entrance. For many years, whenever we visited the library, I had to cling to my mother’s hand as I struggled to climb. Steps led up to huge, double doors framed with glass. Mom would tug them open and usher me and my sister into the rotunda. I remember craning my neck and gawking up at the dome. Five rooms with arched entries branched off the rotunda, each, I’ve read, with a unique, Italian tiled fireplace. Of course, I never visited the room directly behind the large wooden counter. Staid librarians stood at their workplace ever watchful, as the furnaces that bracketed the counter struggled to warm the building in the winter.

Older now, I wondered how we acquired such a beautiful building. Built in 1902, the Carnegie Library was the second Carnegie library built in Oklahoma and is now the oldest existing one in the state. Andrew Carnegie, a steel magnate, donated money to build the library and a local architect designed it.

I haven’t been able to verify this, but supposedly the funds were given to a women’s club who also raised money for the project. When the library was completed, and Carnegie saw it, he was disturbed by the way the money had been allocated. Apparently, he thought a portion should have been used to buy shelves and books. I can’t help but chuckle as I imagine the look on Carnegie’s face as he entered the building and searched for any sign of reading material or, for that matter, an area to place them. Afterwards, he kept his money to give out to other states. When the town decided they needed a new library, the edifice narrowly avoided being torn down. A local philanthropist saved it and it is now a part of a museum.

I remember being terrified of one librarian. She looked a lot like the stereotypical vision of a librarian, an older woman with glasses perched on the end of her nose attached to a chain that she wore around her neck. Her clothes were nondescript and dark. Once, she quietly crept up on one certain little girl, scaring the child. Then the librarian fiercely whispered rebukes to her for sneaking over to the adult section. (I’ve always been too curious for my own good.)  Like a blood hound, she could sniff a book fine as soon as a patron entered the library. Scowling, she would demand the fee. I wanted to avoid her wrath at all costs. But hey, Wrath of the Librarian would be a great name for a band.

I wanted to avoid her wrath at all costs. But hey, Wrath of the Librarian would be a great name for a band.

Back then, each book had a paper card inside it. When a patron checked out books, the book card, which was stored in a pocket inside the back cover of the book, would be removed, the patron’s name added to the list of people who had previously checked out the same book, and the card filed. The librarian would stamp the date the book was checked out on it and a small sheet that was attached to the book. This page was also stamped with the date the book needed to be returned by. The book card would be filed and kept until the book was returned.

The books at our library were OLD. I mean old even for a library built in 19— “mumble, mumble.” Pages aged a golden tan. I would reverently turn them, because it was so easy for the pages to become dislodged from the spine, or the paper to tear because a less scrupulous reader dog-eared and weakened it. (I was convinced the grouchy librarian would blame me and I would have to BUY THE BOOK. Horrors!)

I was and am a voracious reader, and because many of my hometown library books had been written ages ago, my contemporaries don’t always recognize a title or series I read as a child. When I talk to others, I’m surprised to discover that they have never heard of Judy Bolton books or have no idea that the Wizard of Oz and Mary Poppins are both the first books of series.

As I pass rows of computers, I marvel at how much things have changed. I tuck my plastic, barcoded card in my purse and pass between the sensors that alert the librarian when a book has been taken without being checked out. The book mark I received lists all the modern conveniences of this library and, while I’m grateful to have them, that first, majestic library will always have a special place in my heart. I swear, I can still smell the sweet, old book scent—of powdery, dry ink and musky woods.

If you enjoyed this piece, please follow Zoe Tasia on Twitter @ZoeTasia.

Creative Burnout or: How I Learned to Stop Worrying and Love to Knit by Frank L Tybush V (@FLTV_Writes)

Creative Burnout or: How I Learned to Stop Worrying and Love to Knit by Frank L Tybush V (@FLTV_Writes)

Years ago, I saw a video of Damian Kulash from the band, OK Go, talking about why he makes ceramics as a hobby (I don’t know where the video is now, I would share it if I did). In the video, he said that the constant pressure to make the next record, or the next big video, caused him to feel burnout. He turned to a hobby that he never planned on selling to relieve his stress.

I could relate, even if it took me time to take this advice to heart.

My Hulkness Has No Gender: The Rage-Induced Case for Cancelling Charles Dickens by Jamie Thomas (@thatjamiethomas)

My Hulkness Has No Gender: The Rage-Induced Case for Cancelling Charles Dickens by Jamie Thomas (@thatjamiethomas)

I never questioned the literature I read in my high school English classes. I respected it, I appreciated it (so much as a teenage girl can appreciate stories written by dead white men with primarily male characters at their center), but I never questioned it. There was, I assumed, a reason those particular pieces had been chosen; that the knowledge I would obtain from the study of them would provide the greatest benefit to my education both as a reader and writer and as a member of society. This is, after all, why we read novels.

I wondered, of course, at the shocking lack of female authors in the curriculum when there were plenty in the classical literary canon, but I never questioned the wisdom of my teachers for excluding them. I was a very different person then. Needless to say, I pissed off far fewer people than I do today and I’m not sure that’s a good thing.

Writing Under The Depression Umbrella by Erin Robinson (@flossybunny)

Writing Under The Depression Umbrella by Erin Robinson (@flossybunny)

Here's a statistic for you: by the time you finish reading this, at least two people in the world will have lost their lives to suicide. According to the World Health Organization 800,000 people die every year. One every 40 seconds. Here's another statistic: in the USA alone, 64% of people who attempt suicide will have seen their Doctor in the last month of their life and 38% will have seen them on the same week as their attempt. Tentative scrambles for help will have occurred and for many, that help won't come. Too little, too late.

Literature and Digital Age: Flipping the Coin by Damilola Oladimeji (@DamiOladimeji)

Literature and Digital Age: Flipping the Coin by Damilola Oladimeji (@DamiOladimeji)

Sighs...this follows every thought about world's reading culture as it plunges. Sometimes one does not even know what to tag as a cause to such setback. While we can consider money as a problem, distraction from the 'spoilers' that technology churns out to society is complicit. People spend a lot of time surfing the internet just for the fun of it and time is not much of a faithful friend. It leaves if you can't keep pace.

The Dreaded Writer's Block by Robin Woods and Julie Brookshier (@gracewillows201)

The Dreaded Writer's Block by Robin Woods and Julie Brookshier (@gracewillows201)

The dreaded writers block!

One of the hardest things a writer has to do is to fill a blank page. To start a story and make it so believable that the reader feels they become a part of the novel, is a writer’s greatest challenge. There are so many websites out there with good advice on how to defeat writer’s block, but Robin and I wanted to share our technique for successfully getting our creative ideas on paper.

How to Keep a Writer’s Journal by Alyse Bailey (@abaileywrites)

How to Keep a Writer’s Journal by Alyse Bailey (@abaileywrites)

The biggest problem I deal with in my writing is disorganization.

Whether it’s disorganization of my thoughts, disorganization of my notes, or just a general disorganization of my life, I struggle with maintaining order.

This is why, of my entire arsenal of writing tools and resources, there is nothing I value more than my writer’s journal. I could manage without my laptop, my phone, even my books! But my writer’s journal? That is my one true essential.

Wolves and Dungeons and Dragons, Oh My! by Sean Donovan (@seanovan13)

Wolves and Dungeons and Dragons, Oh My! by Sean Donovan (@seanovan13)

Dungeons and Dragons (D&D) is a game on a sharp incline upward in terms of general popularity, thanks to shows like Critical Role and Stranger Things. But it's still rather niche, and still rather difficult to get into. It's a game of imagination, but still one with many books based solely on the rules and guidelines. Yet at its core, Dungeons and Dragons is quite simply a game that takes a problem and turns it into a story. It's a scenario facilitator.

Let's Talk About Villains by Rebecca F. Kenney (@RebeccaFKenney1)

Let's Talk About Villains by Rebecca F. Kenney (@RebeccaFKenney1)

The antagonist for your story can be almost anything—a person, a force of nature, an animal or a creature (as in Jaws), an idea, or the main character's inner self. It's anything that stands in opposition to your main character and blocks the way to the goal he or she is trying to achieve.

But today I'm going to talk about actual villains, personified.